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Iconic Scene: Lust for Life by Iggy Pop, Choose Life Opening Scene – watch here People often looked daft, but were genuinely committed to their chosen denomination and would wear their identities on their sleeves with immense pride.’ – Guardian, Shane Meadows – Under My Skinĭirector: Danny Boyle ( 28 Days Later, The Beach) Then there were those pop culture kids who came into school wearing one green sock, one pink sock and some deely boppers on their head.
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There were new romantics, heavy rockers, smoothies, punks, goths, skins and mod revivalists who were into the Specials and 2 Tone. ‘Set in 1983, it was a time when Uttoxeter, like the rest of the country, was awash with endless different youth tribes. Iconic Scene: 54 – 46 That’s My Number by Toots & The Maytals, Opening Title Sequence – watch here
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The choice of songs omnipresent names like Fatboy Slim, Blur and The Verve sit next to cult artists lost to time: Day One, Skunk Anansie and Bare Jr.’ – VICEĭirector: Shane Meadows ( This is England ’86, ’88, ’90 TV series) ‘One of the things that makes the soundtrack so of its time is that it’s simultaneously cool and uncool. Iconic Scene – Bittersweet Symphony by The Verve, Sebastian’s Journal – watch here involved.’ – Under The Radarĭirector: Roger Kumble ( Just Friends, The Sweetest Thing) But we had a great time doing it…and he got M.I.A. “I think it was quite a challenge for him,” Boyle says, “because obviously I’ve got a Western sensibility, even though the film’s set in Mumbai, and I wanted a certain kind of approach from him. “Or as much as certainly any other element in the film.” Esteemed Bollywood composer A.R. ‘I work on the music probably more than any other element in the film,” he says. Iconic Scene – Paper Planes by M.I.A – Riding the trains montage – watch here Music Editor: Niv Adiri | Music Coordinator: Noel James “I listen to all different types.” – Rolling Stone, Surf Music and Seventies Soul: The Songs of ‘Pulp Fiction’ “When people ask me what kinds of music I listen to, I never really know what to say,” he said in the interview.
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“You are such a poseur and a lame-o for using a song another movie has already christened,” he said. ‘In a 1994 interview Tarantino was adamant about keeping songs fresh in his movies. Iconic Scene – You Never Can Tell by Chuck Berry, Jack Rabbit Slims Twist Contest – watch here Music Supervisor: Karyn Rachtman ( Reservoir Dogs, Clueless)
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‘Wright stuffs the film from tip to tail with amazing music-soul ballads for the touching scenes, Queen’s “Brighton Rock” in a violent showdown, a cover of “Tequila” where every drum beat is swapped out for gunshots, and so on.’ – Pitchfork ‘Behind the music of Baby Driver with Edgar Wright’ĭirector: Quentin Tarantino ( Reservoir Dogs, True Romance) Iconic Scene – Harlem Shuffle by Bob & Earl, Opening Scene – watch here In the same way that the film’s hero, King T’Challa, attempts to reconcile a fragmented Wakanda, Lamar took on a similar project, helming a collaborative effort that criss-crosses continents, hops genres and cross-pollinates perspectives.’ – NPR, ‘Black Panther: The Album’ is Kendrick Lamar’s Parallel, Pan-African Universe.ĭirector: Edgar Wright ( Hot Fuzz, Shaun of the Dead) and U.S., the soundtrack is Pan-African in scope. Much like the film’s cast, which features actors from Zimbabwe, Kenya, Tobago, South Africa, the U.K. ‘With Black Panther: The Album, the artist became an architect. Iconic Scene: Opps (with Yugen Blackrok) by Vince Staples and Ludwig Göransson – Car Chase Scene – watch here Here is a small selection of what would be on our movie mixtape. So many films are iconic because of the music (expertly chosen) for each scene. Transport yourself into your favourite films with the sounds of cinema.